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TOP de la catégorie "Arts"

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1. Far from heaven ( Tood Haynes, 2002)
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2. Casino Royale (Martin Campbell - 2006)
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Thomas Levy :
The Times : "The high camp of the Brosnan era Bond is ditched, and Fleming’s hero returns rebooted (and Bourne-ified), with an intense turn from Daniel Craig, and some breakneck s...

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The Times : "The high camp of the Brosnan era Bond is ditched, and Fleming’s hero returns rebooted (and Bourne-ified), with an intense turn from Daniel Craig, and some breakneck set-pieces. An opening parkour-style chase through Madagascar sets the tone. "
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The Times : "The high camp of the Brosnan era Bond is ditched, and Fleming’s hero returns rebooted (and Bourne-ified), with an intense turn from Daniel Craig, and some breakneck set-pieces. An opening parkour-style chase through Madagascar sets the tone. "

2. les noces rebelles
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André Isabelle :
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4. The Bourne supremacy/ultimatum (P.Greengrass 2004/07)
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Thomas Levy :
The Times : "The action movie is dragged, kicking and back-flipping, into the Noughties courtesy of Matt Damon’s amnesiac superspy and director Greengrass’s film-making élan. Marrying jitt...

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The Times : "The action movie is dragged, kicking and back-flipping, into the Noughties courtesy of Matt Damon’s amnesiac superspy and director Greengrass’s film-making élan. Marrying jittery docu-style camera work with healthy political cynicism, Greengrass transformed Bourne into an anti-Bond for the PlayStation generation.
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The Times : "The action movie is dragged, kicking and back-flipping, into the Noughties courtesy of Matt Damon’s amnesiac superspy and director Greengrass’s film-making élan. Marrying jittery docu-style camera work with healthy political cynicism, Greengrass transformed Bourne into an anti-Bond for the PlayStation generation.

5. No country for old men (Joel &Etan Coen - 2007)
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Thomas Levy :
The Times : "The alchemic combination of the Coen brothers’ eloquent precision and Cormac McCarthy’s vivid nihilism makes for a bleakly compelling cycle of violence. The only thing more ter...

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The Times : "The alchemic combination of the Coen brothers’ eloquent precision and Cormac McCarthy’s vivid nihilism makes for a bleakly compelling cycle of violence. The only thing more terrifying than Javier Bardem’s haircut is the clinical efficiency of his murders. "
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The Times : "The alchemic combination of the Coen brothers’ eloquent precision and Cormac McCarthy’s vivid nihilism makes for a bleakly compelling cycle of violence. The only thing more terrifying than Javier Bardem’s haircut is the clinical efficiency of his murders. "

6. Grizzly Man ( Werner Herzog - 2005)
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Thomas Levy :
The Times : "Party nature documentary, part philosophical tract, Herzog’s eerie account of the life and brutal death of mildly unhinged bear-watcher Timothy Treadwell is a m...

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The Times : "Party nature documentary, part philosophical tract, Herzog’s eerie account of the life and brutal death of mildly unhinged bear-watcher Timothy Treadwell is a monumental piece of cinema — emotionally satisfying, intellectually stimulating, but primal to the core. "
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The Times : "Party nature documentary, part philosophical tract, Herzog’s eerie account of the life and brutal death of mildly unhinged bear-watcher Timothy Treadwell is a monumental piece of cinema — emotionally satisfying, intellectually stimulating, but primal to the core. "

7. Team America : World Police (Tray Parker - 2004)
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Thomas Levy :
The Times : "The South Park creators launch an assault on pretty much everyone, from North Korean leader Kim Jong-Il to poor, hapless Matt Damon. It’s jaw-droppingly offensive and wildly f...

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The Times : "The South Park creators launch an assault on pretty much everyone, from North Korean leader Kim Jong-Il to poor, hapless Matt Damon. It’s jaw-droppingly offensive and wildly funny.
Page 8 of 9"
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The Times : "The South Park creators launch an assault on pretty much everyone, from North Korean leader Kim Jong-Il to poor, hapless Matt Damon. It’s jaw-droppingly offensive and wildly funny.
Page 8 of 9"

8. The last king of Scotland (Kevin MacDonald - 2006)
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Thomas Levy :
The Times : "Forest Whitaker gives one of the great performances of the decade as Idi Amin. He nails the Ugandan dictator’s deadly charm — he’s a charismatic monster; part amiable buffo...

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The Times : "Forest Whitaker gives one of the great performances of the decade as Idi Amin. He nails the Ugandan dictator’s deadly charm — he’s a charismatic monster; part amiable buffoon, part stone-cold killer."
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The Times : "Forest Whitaker gives one of the great performances of the decade as Idi Amin. He nails the Ugandan dictator’s deadly charm — he’s a charismatic monster; part amiable buffoon, part stone-cold killer."

9. Slumdog Millionaire ( Danny Boyle, 2008)
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Thomas Levy :
The Times : "Twelve years after Trainspotting, Boyle produces a dizzying Mumbai-set romance that redefines the possibilities of a progressive yet commercially successful national industry....

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The Times : "Twelve years after Trainspotting, Boyle produces a dizzying Mumbai-set romance that redefines the possibilities of a progressive yet commercially successful national industry. Oscars abound. "
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The Times : "Twelve years after Trainspotting, Boyle produces a dizzying Mumbai-set romance that redefines the possibilities of a progressive yet commercially successful national industry. Oscars abound. "

10. Hidden (by Michael Haneke -2005)
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Thomas Levy :
The Times : "It is only as the decade draws to a close that it becomes clear just how presciently the Austrian director Michael Haneke tapped into the uncertain mood of the Noughties. The...

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The Times : "It is only as the decade draws to a close that it becomes clear just how presciently the Austrian director Michael Haneke tapped into the uncertain mood of the Noughties. The film’s twin themes resonate perfectly with the defining concerns of the time: tacit national guilt about a questionable foreign policy, in the film it’s France’s occupation of Algeria, but it’s not hard to piece together the parallels with more recent conflicts. Plus, as round-the-clock surveillance became a part of our daily lives, here was a film that captured the creeping paranoia that resulted from the eyes of unseen strangers invading private life. "
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The Times : "It is only as the decade draws to a close that it becomes clear just how presciently the Austrian director Michael Haneke tapped into the uncertain mood of the Noughties. The film’s twin themes resonate perfectly with the defining concerns of the time: tacit national guilt about a questionable foreign policy, in the film it’s France’s occupation of Algeria, but it’s not hard to piece together the parallels with more recent conflicts. Plus, as round-the-clock surveillance became a part of our daily lives, here was a film that captured the creeping paranoia that resulted from the eyes of unseen strangers invading private life. "

11. The Queen (Stephen Frears - 2006)
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Thomas Levy :
The Times : "Compassionate and intelligent, witty and wicked, this account of what happened behind the Palace gates after the death of the Princess of Wales is a crown jewel of a movie....

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The Times : "Compassionate and intelligent, witty and wicked, this account of what happened behind the Palace gates after the death of the Princess of Wales is a crown jewel of a movie. Helen Mirren is a very human HM. "
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The Times : "Compassionate and intelligent, witty and wicked, this account of what happened behind the Palace gates after the death of the Princess of Wales is a crown jewel of a movie. Helen Mirren is a very human HM. "

12. Hunger (Steve Mc Queen, 2008)
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Thomas Levy :
The Times : "Provocative London-born artist McQueen directs a revelatory Michael Fassbender in a movie that purports to tackle the infamous 1981 IRA hunger strikes but is actually a...

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The Times : "Provocative London-born artist McQueen directs a revelatory Michael Fassbender in a movie that purports to tackle the infamous 1981 IRA hunger strikes but is actually a hypnotic meditation on the ineffable mystery of human life. Achingly profound. "
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The Times : "Provocative London-born artist McQueen directs a revelatory Michael Fassbender in a movie that purports to tackle the infamous 1981 IRA hunger strikes but is actually a hypnotic meditation on the ineffable mystery of human life. Achingly profound. "

13. Borat (Larry Charles - 2006)
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Thomas Levy :
The Times : "The decade’s favourite sexist, anti-Semitic, racist homophobe, Borat picked at the scabs of America’s intolerance and hypocrisy. Sacha Baron Cohen’s status as the most fearl...

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The Times : "The decade’s favourite sexist, anti-Semitic, racist homophobe, Borat picked at the scabs of America’s intolerance and hypocrisy. Sacha Baron Cohen’s status as the most fearless man in comedy is unlikely to be challenged in the near future. "
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The Times : "The decade’s favourite sexist, anti-Semitic, racist homophobe, Borat picked at the scabs of America’s intolerance and hypocrisy. Sacha Baron Cohen’s status as the most fearless man in comedy is unlikely to be challenged in the near future. "

14. The lives of others (F. von Donnersmack - 2006)
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Thomas Levy :
A mercilessly efficient account of Stasi surveillance in mid-1980s East Germany is anchored by a haunting performance from Ulrich Mühe, who died from stomach cancer just after the film’s re...

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A mercilessly efficient account of Stasi surveillance in mid-1980s East Germany is anchored by a haunting performance from Ulrich Mühe, who died from stomach cancer just after the film’s release.
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A mercilessly efficient account of Stasi surveillance in mid-1980s East Germany is anchored by a haunting performance from Ulrich Mühe, who died from stomach cancer just after the film’s release.

15. This is England (Shane Meadows, 2007)
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16. 4 months, 3 weeks and 2 days (Christian Mungiu - 207)
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17. Downfall (Oliver Hirschbiegel, 2004)
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18. Eternal Sunshine of the spotless mind (M Gondry 2004)
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19. Brokeback mountain ( Ang Lee - 2005)
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20. Mulholland drive (David lynch, 2001)
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21. Let the right one in (Tomas Alfredson, 2008)
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22. United 93 (Paul Greengrass, 2006)
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23. Donnie Darko (Richard Kelly, 2001)
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24. Good night, and good luck (George Clooney, 2005)
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25. Man on Wire (James Marsh - 2008)
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26. 28 Days later (Danny Boyle, 2002)
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27. Dancer in the dark (Lars von Trier, 2000)
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28. Minority Report (Steven Spielberg, 2002)
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29. Sideways (Alexander Payne, 2004)
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30. The diving bell & the butterfly (J. Schnabel, 2007)
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31. Being John Malkovich (Spike Jonze, 2000)
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32. Irreversible (Gaspar Noé, 2002)
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33. Iraq in fragments (James Langley, 2006)
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34. Gladiator (Ridley Scott, 2000)
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35. Mooson wedding (Mira Nair, 2002)
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36. Finding nemo ( A. Stanton & L. Unkrich, 2003)
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37. Y tu mama tambien ( Alfonso Cuaron, 2002)
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38. Capturing the Friedmans (Andrew Jarecki, 2004)
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39. In the mood for Love ( Wong Kar Wai, 2000)
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40. Lost in translation (Sofia Coppola, 2003)
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41. Syriana (George Clooney, 2005)
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42. Children of men (Alfonso Cuaron, 2006)
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43. The incredibles (Brad Bird, 2004)
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44. The dark knight (Christopher Nolan, 2008)
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45. Under the sand (François Ozon, 2000)
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46. Touching the void (Kevin Macdonald, 2003)
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47. Traffic (Steven Soderbergh, 2000)
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48. My summer of Love (Pawel Pawlikowski, 2004)
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49. Little miss Sunshine (J.Dayton & V.Farris, 2006)
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50. Knocked up (Judd Apatow, 2007)
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51. The Lord of the Rings 3 (Peter Jackson, 2003)
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52. The son's room (Nanni Moretti, 2001)
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53. The constant gardener (Fernando Meirelles, 2005)
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54. Milk (Gus Van Sant, 2008)
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55. Bad Santa (Terry Zwigoff, 2003)
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56. Chopper (Andtrew Dominik, 2000)
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57. Volver (Pedro Almodovar, 2006)
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58. The consequence of Love (Paolo Sorrentino, 2004)
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59. Shaun of the dead ( Edgar Wright, 2004)
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60. Etre et Avoir ( Nicolas Philibert, 2002)
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61. The squid and the whale (Noah Baumbach, 2005)
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62. Spirited away ( Hayao Miyazaki, 2001)
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63. Anchorman, the legend of Run Burgondy (A.McKay, 2004)
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64. There will be blood (P.T. Anderson, 2007)
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65. L'enfant (J.P. & L. Dardenne, 2005)
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66. Waltz with Bachir (Ari Folman, 2008)
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67. City of God ( F.Meirelles & K.Lund, 2002)
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68. Gomorra (Matteo Garrone, 2008)
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69. Memento (Christopher Nolan, 2008)
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70. Persepolis (V.Paronnaud & M.Satrapi, 2007)
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71. La classe (Laurent Cantet, 2008)
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72. Monsters, Inc (Docter, Silverman, Unkrich, 2001)
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73. The hurt locker (Kathryn Bigelow, 2008)
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74. The Beat that my heart skipped (J.Audiard, 2005)
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75. Pan's Labyrinth (Guillermo del Toro, 2006)
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76. Talk to her (Pedro Almodovar, 2002)
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77. Control (Anton Corjbin, 2007)
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78. Bowling for Columbine (Michael Moore, 2002)
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79. About Schmidt (Alexander Payne, 2002)
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80. Le grand voyage (Ismael Ferroukhi, 2004)
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81. Me, you and everyone we know (Miranda July, 2005)
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82. In the loop (Armando Ianucci, 2009)
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83. Yi yi : A one and a two (Edward Yang, 2000)
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84. The wind that shakes the barley ( Ken Loach, 2006)
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85. Hotel Rwanda (Terry george, 2004)
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86. The piano teacher (Michael Haneke, 2001)
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87. The orphanage ( Juan Antonio Bayona, 2007)
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88. Time and winds (Reha Erdem, 2006)
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89. The Royal Tenenbaums (Wes Anderson, 2001)
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90. School of Rock (Richard Linklater, 2003)
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91. Wedding crashers (David Dobkin, 2005)
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92. Lantana (Ray Lawrence, 2001)
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93. Dirty pretty thing (Stephen Frears, 2002)
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94. House of flying daggers (Zhang Yimou, 2004)
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95. An inconvenient truth (Davis Guggenheim, 2006)
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96. Amores perros (Alejandro Gonzales Inarittù, 2000)
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97. Morven Callar (Lynne Ramsay, 2002)
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98. Sympathy for Lady vengeance (Park Chan Wook, 2005)
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99. Carsh (Paul Haggis, 2004)
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100. Battle Royale (Kinji Fusaku, 2000)
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101. The devil wears Prada (David Frankel, 2006)
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